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出版社 : 雲南美術出版社
總數: 1
宮崎駿的暗號
作者
青井汎
分類號
C3.2.1 009
出版社
雲南美術出版社
主題
語言與文化、媒體
註釋
《宮崎駿的暗號》是中國第一本有關日本動漫大師宮崎駿的圖書,它為《龍貓》、《千與千尋》、《幽靈公主》……解密,瞭解它的文化構成,展露世界級動漫泰斗獲得藝術與商業成功的核心訣竅,揭示構成宮崎動漫中富含的思想文化元素。 「……我認為通俗作品,即使是淺顯的,也必須是充滿真情的。它的門檻很低、很廣,誰都可以進來,可是出口必須很高,而且是淨化過的,絕不能是貧乏的替身、或是承認它的低劣、或是因使勁兒說服別人而增加篇幅的。我不喜歡迪士尼的作品。它的入口和出口高度和廣度都是一樣的。我只認為那是對觀眾的蔑視。」──宮崎駿 序章 第一章 《蜜蜂的耳語》和《龍貓》 1 從城市搬來的姐妹和母親的不在場 2 怪物佛蘭修塔依和龍貓的近似 3 獻給「超凡電影」的讚歌 4 隱藏在完全相反的風土人情中的意圖 5 神靈近旁孩子們的夢想 6 轉換于地下空間的故事 7 再現消逝的風景 8 宮崎曼陀羅 第二章 歐洲史中的地層——一張隱藏著的畫 1 長眠在地下的西班牙史 2 克爾特森林和腐海森林的連接 3 腐海森林為何增大 4 早就不再畏懼森林的人類 5 娜烏西卡的魔女資質 6 法國革命中里昂英雄少女絳弩的面影 7 娜烏西卡與佔代高盧天主教徒多雷依多 第三章 作品「真情」巾包含的中國思想 1 失去的「神」 2 喚醒「王蟲」的顏色 3 「青衣」和「金色之野」潛藏的意義 4 獸神森林中包含的五行思想 5 人類無法逃避的惡神 6 五行相剋的縮圖訴說著大地之死 7 產生「感應力」的理由 第四章 《幽靈公主》和宮澤賢治 1 《土神和狐狸》的所讀 2 達達拉城的創世神話 3 土神和金屋子神的轉世 4 黑帽子夫人為什麼被描寫成美人 5 在《幽靈公主》中達到思想頂點 6 引用五行的理由 第五章 投影在獸神上的神 1 大地中心誕生的幻神 2 神話和故事的重合 3 花輪和一的《護法童子》 4 幻想巨獸和西班牙宮廷畫家戈雅的《巨人》 5 自然與人造的對比 6 司掌生死的克爾特神 7 體現破壞與再生的印度神 8 最古老文學中的獸神 第六章 森林中的真實 1 超越神話的時空 2 沉睡在洞穴的最裏面 3 獸神是一位「咒術師」 4 被解放的太古時代動物 5 連接人與森林動物的巫師 6 原始森林的迷宮 7 殺神劇 8 於是,大地崩潰 第七章 水的故事《千與千尋》 1 在崩潰的現實前面展開的世界 2 與蘇聯著名導演塔魯高夫斯基的共同點 3 因母親的不在而產生的「母愛」 4 利用「無」的設計 終章 宮崎動漫的深層 1 被「真情」破壞的藝術性 2 「不盈滿就不行」 3 孩子們失去的東西 4 對待兩個「神」的態度 5 對於「非對稱性」的異議 6 與宮澤賢冶的共振 7 《春與修羅》的意思 8 與森林共生