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出版社 : 中央編譯出版社
總數: 3
古代小說公案文化研究
作者
呂小蓬
分類號
C4.2.4 070
出版社
中央編譯出版社
出版年
2004
鏡像之鑒--韓中電影叙事和受众比較研究
作者
張燕、譚政
分類號
C3.3.2 015
出版社
中央編譯出版社
主題
語言與文化、媒體
註釋
本書採用如下框架:第一章,旨在為兩國電影研究架構現實座標,介紹兩國電影的產業概況和創作現狀,內容既涵蓋韓國電影從危機到振興的產業進程和藝術樣貌、中國電影在產業體制改革推進中的創作高速增長和藝術水準提升,也包括兩國電影在產業和創作現狀的相互比較;第二章,力圖通過感性和理性的研究,比較分析韓中兩國電影在敍事層面的共性特點和個性差異;第三章,針對觀眾消費是真正支撐電影生存發展的基礎動力,本章節重在比較研究韓國和中國電影觀眾的接受差異,主要從韓中兩國多個大城市的電影觀眾實地問卷調查入手,在嚴謹的第一手調研統計資料基礎上,詳細分析兩國觀眾的電影消費習慣、消費現狀和接受差異,進而深層剖析兩國觀眾的觀影心理。 本書研究目標是:在韓國和中國電影市場開放的背景下,將同處於東方文化及全球化語境下的兩國電影置於相同的平臺,聚焦韓中兩國電影在敍事和受眾層面的差異表現,來探討兩國電影的各自創作優長,並嘗試提出可供相互取長補短的發展方向,為韓中電影的相互借鑒和未來發展提供一些可資參考的資訊和意見。 本書適合有意瞭解中韓電影的創作優長,和兩國電影在敘事和受眾層面的差異表現之學者與有興趣人士。
敘述的源泉—莫言小說與民間文化中的生命主體精神
作者
張靈
分類號
C4.5.3 042
出版社
中央編譯出版社
主題
語文與文學
註釋
莫言的小說創作早已成為當代文學中最令人矚目的成就之一。莫言文學的巨大魅力和豐富複雜的面相構成了“橫看成嶺側成峰”的壯觀風景,也引 來了人們眾說紛紜的解讀。《敍述的源泉:莫言小說與民間文化中的生命主體精神》在對莫言作品“細讀”的基礎上,從“生命主體精神”和“民間文化”的雙重視 閾來觀照莫言的小說創作,剖析莫言作品所創造出的藝術世界的“構成物”,領悟作品的藝術用意,從而對莫言的小說創作提出了一些新的見解。張靈的《敍述的源泉:莫 言小說與民間文化中的生命主體精神》認為莫言小說始終體現出對於生命主體精神及生命主體間的本真對話關係的強烈眷顧;認為民間文化中的生命主體精神是照亮 莫言文學世界的燈盞。《敍述的源泉:莫言小說與民間文化中的生命主體精神》還從小說詩學的角度總結了莫言小說體現的敍述、表現、寓言等手法立體並用的創造 性特點。 目錄: 序 緒論 生命的大地與詩學的疆域 一 尋找言說莫言的新起點 二 在“對話”中尋找本文的言說視角 上篇 莫言小說話語的總體症候 第一章 身體在莫言小說中所表徵的問題 一 “道身一體”的藝術體悟 二 生命主體精神的泉源 三 無法遮蔽的“對話”欲望 四 非語言性的顯示與象徵 五 “世界的問題”從“身體的問題”開始 第二章 身體在奠言小說中的“合法性” 一 身體:通向生命活體之途 二 身體與生存的現實境況 第三章 生命主體的現實與精神境遇 一 生命主體的精神困境 二 名字與生命主體的身份 三 “講述的存在”與現實的空間 第四章 生命主體精神的獨特症候 一 尿 二 乳房 三 種、雜種、雜交 中篇 莫言小說文體與個案剖析 第五章 莫言小說的肌理、結構特徵 一 文體:“使情成體” 二 莫言小說中的“漩渦”結構 三 莫言小說中的“複調”,與“對話” 四 莫言小說中的現代“寓言”營構 第六章 莫言小說中的人稱使用 第七章 莫言小說中的語言盛宴 第八章 莫言作品個案分析 一 《歡樂》:生命存在意義的奇絕探尋和啟示 二 《飛鳥》:一“古”四兩撥千斤的民間智慧 三 《拇指銬》:人類生命主體存在境況的當代寓言 四 《牛》:一出特殊歲月中的生命悲喜劇 五 《師傅越來越幽默》:以“聊齋詭計”實現“以樂寫哀” 六 《豐乳肥臀》:膜拜生命,超越敍事 下篇 莫言小說詩學與民間文化 第九章 莫言文學話語與民間文化 一 文學訴求中的“民間”含義 二 照亮莫言文學世界的燈盞 第十章 敍述的極限與表現的源頭 一 言說的莫言和沉默的莫言 二 解構的和不可解構的 三 小結 參考文獻