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作者 : 路易斯‧賈內梯
總數: 1
認識電影
作者
路易斯‧賈內梯
分類號
C3.3.2 090
出版社
世界圖書出版公司
主題
語言與文化、媒體
註釋
《認識電影》作為電影入門書中的經典之作,用深入淺出的筆觸,告訴我們影視傳播的手法,並逐項解析其複雜的語言系統與要素。問世幾十年以來,此書始終是世界各地影視從業人員和主流專業院校的必備之選,更是電影愛好者不可或缺的手邊書。 本書從電影理論的典型視角出發,簡明扼要地評論了電影藝術的方方面面。書中提及的影片包羅萬象,組成了一道世界各地電影人的經驗光譜,其中有我們熟悉的面孔如美國的斯蒂芬•斯皮爾伯格、英國的麥克•李、伊朗的阿巴斯以及中國的李安等。作者對歐美影片和導演瞭若指掌,尤其對美國影片和美國導演做了全面而詳細的介紹。同時,作者也很關注第三世界國家電影,書中廣泛涉及了伊斯蘭電影、新亞洲電影以及非洲電影。作者以鞭辟入裏的分析,新穎獨到的見解和紛繁多樣的視覺衝擊,呈現給讀者一個全新的電影世界。 全書圍繞電影製作的核心要素組織架構,其中穿插以數百幅精美圖片和精闢的說明,再加上綴于各章後的延伸閱讀和書末的重要辭彙表,讓讀者在輕鬆的閱讀過程中吸收到最專業的電影知識,從而真正“認識”電影。 目錄 致中國讀者 譯者序 前言 第一章 攝影 1.1 現實主義和形式主義 1.2 鏡頭 1.3 角度 1.4 光與影 1.5 色彩 1.6 鏡片、濾鏡及底片 1.7 特殊效果 1.8 電影攝影師 延伸閱讀 第二章 場面調度 2.1 景框 2.2 構圖和設計 2.3 區域空間 2.4 距離關係 2.5 開放與封閉的形式 延伸閱讀 第三章 運動 3.1 運動感覺 3.2 攝影機運動 3.3 動作的機械扭曲 延伸閱讀 第四章 剪輯 4.1 連續性 4.2 格里菲斯與古典剪輯 4.3 蘇聯蒙太奇與形式主義傳統 4.4 巴贊與現實主義傳統 4.5 希區柯克的《西北偏北》:分鏡表 延伸閱讀 第五章 聲音 5.1 歷史背景 5.2 音效 5.3 音樂 5.4 歌舞片 5.5 語言 延伸閱讀 第六章 表演 6.1 劇場與電影表演 6.2 美國明星制度 6.3 表演風格 6.4 選角 延伸閱讀 第七章 戲劇 7.1 時間、空間及語言 7.2 導演 7.3 佈景與裝置 7.4 戲服與化妝 延伸閱讀 第八章 故事 8.1 敍事學 8.2 觀眾 8.3 古典模式 8.4 現實主義敍事 8.5 形式主義敍事 8.6 非劇情敍事 8.7 類型與神話 延伸閱讀 第九章 編劇 9.1 編劇 9.2 電影劇本 9.3 《西北偏北》:閱讀劇本 9.4 象徵、比喻 9.5 觀點 9.6 文學改編 延伸閱讀 第十章 意識形態 10.1 “左—中—右” 10.2 文化、宗教及種族 10.3 女性主義 10.4 同性戀解放 10.5 基調 延伸閱讀 第十一章 理論 11.1 現實主義理論 11.2 形式主義電影理論 11.3 作者論 11.4 折衷及綜合理論 11.5 結構主義和符號學 11.6 歷史學 延伸閱讀 第十二章 綜論:《公民凱恩》 12.1 攝影 12.2 場面調度 12.3 攝影機運動 12.4 剪輯 12.5 聲音 12.6 表演 12.7 戲劇 12.8 故事 12.9 編劇 12.10 意識形態 12.11 評論 延伸閱讀 重要辭彙 圖例索引 出版後記