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作者 : 梁明、李力
總數: 1
鏡頭在說話--電影造型語言分析(插圖版)
作者
梁明、李力
分類號
C3.3.2 049
出版社
世界圖書出版公司
主題
語言與文化、媒體
註釋
作者根據自己多年從事電影專業教學的經驗以及藝術創作的實踐和總結,以二十余部國內外優秀影片以及重要導演、攝影師為案例,從電影造型元素與視覺效果、電影攝影的創作技巧和方法等角度深入研究,詳細剖析色彩、運動攝影、光線、空間、環境、景別、風格等影像語言的各個要素,幫助讀者認識視覺語言的規律和解讀影像的方法。同時,本書還是對攝影創作的理論總結,提出了許多極具建設性的意見,結構清晰,文字優美,配有大量影片插圖,幫助讀者把握影像創作的竅門,無論對電影專業的學生,還是對正在電影創作一線工作的創作者,都是一本需要仔細精讀的教材和實用的參考書。 序言 縝于豐富密於詳盡 前言 第一章 色彩 《兩個人的芭蕾》:將感動視覺化傳達 《剪刀手愛德華》:彩色童話與黑白寓言 《我的1919》:一幅歷史的寫生油畫 《海岸線》:海岸之濱,綠紅之間 枕邊禁書》:色彩畫中畫與平面蒙太奇 第二章 運動攝影 《女帥男兵》:用運動的攝影機表達情感 《說出你的秘密》:心理片與運動攝影 《天上的戀》:發覺殘缺深處之唯美 《緊急迫降》:運動鏡頭的表現力 《天上草原》:二維空間思維模式制約運動鏡頭的表現力 《戰爭生活》:數位化紀錄片的運動鏡頭 第三章 光線 《卡拉是條狗》:被光影分割的破碎人生 《紫蝴蝶》:鏡頭晃動殘酷年代光影疊化悲情人生 《花眼》:你是光,你是彩虹的渴望 《青衣》:紅藍光線與高峰體驗鏡頭 第四章 空間、環境與景別 《美夢成真》:你在,就是天堂 《藍色愛情》:影像語意的構成與運用 《尋槍》:多時空結構與豐富的表現性視覺語言應用 《鋼琴夢》:紀錄片攝影的鐐銬之舞 《可哥西裏》:環境造型與全景張力 《台灣往事》:淡漠山水,鄉愁四韻 第五章 風格 曾念平:形式即內容 王家衛:浮光掠影中追憶似水年華 杜琪峰:杜琪峰:黑色在黑色之上 梁明:心靈化的攝影機 陳可辛:從《甜蜜蜜》到《如果•愛》 跋 出版後記