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作者 : 張燕
總數: 7
20世紀中國文學研究論文選.清代卷
作者
張燕瑾,趙敏俐 文編
分類號
C4.2.1 011
出版社
社會科學文獻出版社
出版年
2010
20世紀中國文學研究論文選.遼金元卷
作者
張燕瑾 選編
分類號
C4.2.1 009
出版社
社會科學文獻出版社
出版年
2010
先秦「仁」學思想研究:儒、墨、道、法家「仁」論說略
作者
張燕嬰 著
分類號
C5.8.3 003
出版社
中國社會科學出版社
出版年
2010
醫學美劇—語言與文化賞析
作者
張燕
章國英
分類號
E5.3.2 003
出版社
茅工軍醫大學出版社
鏡像之鑒--韓中電影叙事和受众比較研究
作者
張燕、譚政
分類號
C3.3.2 015
出版社
中央編譯出版社
主題
語言與文化、媒體
註釋
本書採用如下框架:第一章,旨在為兩國電影研究架構現實座標,介紹兩國電影的產業概況和創作現狀,內容既涵蓋韓國電影從危機到振興的產業進程和藝術樣貌、中國電影在產業體制改革推進中的創作高速增長和藝術水準提升,也包括兩國電影在產業和創作現狀的相互比較;第二章,力圖通過感性和理性的研究,比較分析韓中兩國電影在敍事層面的共性特點和個性差異;第三章,針對觀眾消費是真正支撐電影生存發展的基礎動力,本章節重在比較研究韓國和中國電影觀眾的接受差異,主要從韓中兩國多個大城市的電影觀眾實地問卷調查入手,在嚴謹的第一手調研統計資料基礎上,詳細分析兩國觀眾的電影消費習慣、消費現狀和接受差異,進而深層剖析兩國觀眾的觀影心理。 本書研究目標是:在韓國和中國電影市場開放的背景下,將同處於東方文化及全球化語境下的兩國電影置於相同的平臺,聚焦韓中兩國電影在敍事和受眾層面的差異表現,來探討兩國電影的各自創作優長,並嘗試提出可供相互取長補短的發展方向,為韓中電影的相互借鑒和未來發展提供一些可資參考的資訊和意見。 本書適合有意瞭解中韓電影的創作優長,和兩國電影在敘事和受眾層面的差異表現之學者與有興趣人士。
映畫:香港制造
作者
張燕
分類號
C3.3.2 068
出版社
北京大學出版社
主題
語言與文化、媒體
註釋
香港電影,東方傳奇,銀幕神話,夢幻世界。注目香港電影,猶如翻開一本厚重而絢麗的書籍,一頁頁沉穩地展開“東方好萊塢”的光影傳奇;也猶如打開一個豐富而珍貴的寶庫,銀幕傳奇中的傑出作品、生動人物正熠熠生輝,映襯著“東方之珠”的輝煌文化。 每一位元導演的每一部作品如同一顆顆閃亮的珍珠,在時代的更迭中結構成一個晶瑩閃爍的香港電影歷史坐標系,各自勾勒出個性張揚的標點,同時也以集體的合力描繪出一幅波瀾壯闊的香港電影畫卷。 本書作者通過對香港電影導演及經典代表作的談論分析,勾勒出一幅波瀾壯闊的香港電影畫卷。在本書例架構上,作者簡單介紹了一下香港史中的導演圖譜,對香港電影整體掃描,而後類型片範疇來架構14位位導演之間的關係。適合喜歡香港電影和香港導演的人士,對其有一個初步瞭解。 自序 第一場 香港電影導演掃描 香江光影傳奇的背後 第二場 從新浪潮走來 徐克:偏鋒獨行 嚴浩:詩意思辨 第三場 文藝電影主力 關錦鵬:男生女相 爾冬升:爆“冷”制勝 陳可辛:懷舊表達 張婉婷:移民寫作 第四場 動作電影旗手 杜琪峰:以靜制動 唐季禮:健康暴力 陳木勝:“文”寫動作 第五場 動漫電影引領者 劉偉強:潮流探索 第六場 喜劇電影代表 劉鎮偉:“大話”電影 第七場 獨立電影作者 陳果:草根寫實 第八場 新生代導演 彭浩翔:另類“亂燉” 黃精甫:浪漫江湖
對粵港澳普通話教程
作者
高然、陳佩瑜、張燕翔
分類號
C1.2.1 037
出版社
北京大學出版
主題
普通話
註釋
本書是面對廣東、廣西、香港、澳門以及海外粵語背景人士編寫的普通話口語教材。本教材適用于大、中學普通話課程教學,也適用於其他普通話課程教學或自學。本書以功能為綱,注重口耳訓練,每課分為正音專題、句型(語法)操練、課文練習和聽說欣賞四部分,正音專題是就普通話的聲母、韻母、聲調以及兒化、輕聲等語音特徵進行專題正音訓練,句型(語法)操練是對普通話口語裏的一些常用句型或慣用法作專題操練,聽說欣賞選取古今中外一些著名作品,如相聲、戲劇、電影臺詞、詩歌、寓言、歌詞、廣告詞等,作為聽說訓練材料。本書編排新穎,內容生動,語言地道、風趣、便於教學。
前言
中文拼音方案
廣州話拼音方案
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