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作者 : 宋家玲、宋素麗
總數: 1
影視藝術心理學
作者
宋家玲、宋素麗
分類號
C3.3.2 034
出版社
中國傳媒大學出版社
主題
語言與文化、媒體
註釋
反觀近百年的人類生活,心理學和影視藝術的影響舉足輕重,二者互證式的發展都是為了一個目標:通向人類心靈的極點。可以說,影視藝術現象無一例外地皆發端于心理學的根基之上,並為心理學研究提供鮮活生動的實證案例。伴隨著科學和藝術之間更廣闊、更深遠的相互滲透,影視藝術心理學的研究也將展開新的篇章。 目錄 導言 電影、電視研究與心理學結合——20世紀文化、科學的表徵和本質 上編 心理學流變與影視藝術心理研究之概說 第一章 心理學與影視藝術構成 第一節 心理物理學:物質構成元素對視聽感知的作用 第二節 實驗心理學和構造心理學:心理結構對影視表達的影響 第三節 機能主義心理學:意識流電影和情緒表達的意義 第四節 人本主義心理學:影視文本中人物性格之生成原理 第二章 心理學是探究影視創作、觀賞心理的基礎 第一節 行為主義心理學:“場”理論和影視審美經驗研究 第二節 皮亞傑學派:影視創作欣賞中的“同化”和“順應” 第三節 文藝心理學:形象的直覺思維和“心理距離說” 第四節 認知心理學:影視傳播中的資訊產生和交流 第五節 心理學發展的一個新取向——後現代氛圍中的心理學:敍事心理研究時代的到來 第三章 格式塔理論與影像藝術心理的建構 第一節 格式塔心理學產生的背景 第二節 格式塔心理學的基本原理 第三節 格式塔理論對審美心理研究的貢獻 第四節 格式塔心理學與電視:生活與資訊、審美的鏈結 第五節 格式塔理論的新擴展:“生態感知”的重要意義 第四章 精神分析學說與影視藝術原理 第一節 精神分析心理學產生的背景與研究方法 第二節 佛洛德精神分析的主要理論和觀點 第三節 榮格的分析心理學 第四節 精神分析與影像藝術魅力之追尋 第五節 影視敍事中情節推進的“動力源” 第六節 影視中的角色設置和發展之“情結”依據 第七節 充分調動觀眾心理層面上的“認同”機制 第八節 電影研究從經典理論進入現代理論階段 下編 多維視角下的影視藝術心理辨析 第五章 影像表達心理機制的形成 第一節 視知覺理論與影像表達 第二節 像場起始于心理感應——像場空氣說 第三節 看與被看(攝與被攝)——創作心理的一道屏障 第四節 影像隱喻:暗示與象徵 第五節 影像審美的構建 第六節 視聽的感知思辨 第六章 影視敍事心理簡論 第一節 看的行為動機和心理機制 第二節 影視敘事策略對現聽知覺的激發 第三節 影視敘事對心理欲望的滿足 第四節 後現代影視遊戲敘事的心理學闡述 第七章 影視審美心理探析 第一節 影視審美心理的先在結構 第二節 影視審美心理之深層構成 第三節 電影與電視藝術接受心理之同異 主要參考文獻 後記