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作者 : 姜釗云
總數: 1
太康文學研究
作者
姜釗云
分類號
C4.3.2 007
出版社
中華書局
主題
語文與文學
註釋
本書乃是一篇以實證、考辨誣衊國主要方法的論文。本書展現了作者對理論追求的勇氣和能力。論文對“詩性精神”與“文學精神”作了自己的的理解和界定。關於“詩性精神”的界說能突破成說,獨抒己見,而關於“文學精神”的理論闡述,也能令人一新耳目,體現了作者的理論眼光和立論膽識。論文關於“文學精神”和“詩性精神”的思考,其意義不僅在於可以更好地解釋太康“文章中興”現象,對於進一步認識中國文學的民族文化傳統、中國文學創作和中國文學思想的發展歷程,也有一定的啟發性。當然,這一理論若有說服力和影響力,還要進一步完善而使其臻於成熟。本書適合專門研究魏晉文學的太康時期的學者作為參考書之用,亦都適合修讀文學史的學生閱讀。 第一章 引論 第二章 太康重要作家生平考述與人格分析(上篇) 一 傅玄之個人生活道路與人格精神 二 張華之個人生活道路與人格精神 三 張載之個人生活道路與人格精神 四 張協之個人生活道路與人格精神 五 張亢之個人生活道路與人格精神 第三章 太康重要作家生平考述與人格分析(下篇) 一 陸機之個人生活道路與人格精神 二 陸雲之個人生活道路與人格精神 三 潘嶽之個人生活道路與人格精神 四 潘尼之個人生活道路與人格精神 五 左思之個人生活道路與人格精神 第四章 太康文學思想縱橫論 一 傅玄“引其源而廣之”的文體觀念 二 陸機“謝朝華於已披,啟夕秀於未振”的文學精神 三 陸雲“文貴清省”的創作思想 四 左思“美物者貴依其本”的品物征實主張 第五章 太康文品之美學思考 一 情多氣少的主題取向 二 襲故彌新的體裁範型 三 綺靡工巧的風格時尚 第六章詩性精神、文學精神新說與太康“文章中興”原論 一 詩性精神界說 二 文學精神界說 三 詩性精神與文學精神之關係 四 詩性精神、文學精神與太康“文章中興”的關係 五 關於詩性精神、文學精神之範疇討論的召喚 第七章 太康文學學術史疑案新斷 一 “三張”父名“牧”或“收”問題 二 陸機人洛時間及次數問題 三 文賦》撰作年代問題 四 《三都賦》撰作年代問題 第八章 太康重要作家著述輯錄 一 傅玄著述輯錄 二 張華著述輯錄 三 張載著述輯錄 四 張協著述輯錄 五 張亢著述輯錄 六 陸機著述輯錄 七 陸雲著述輯錄 八 潘嶽著述輯錄 九 潘尼著述輯錄 十 左思著述輯錄 第九章 結論 附錄一 二十世紀陸機研究綜述 附錄二 西晉重要作家文學編年 主要參考文獻 後 記