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作者 : 啟功
總數: 5
古代字體論稿
作者
啟功
分類號
C2.3.2 011
出版社
文物出版社
出版年
1964
漢語現象論叢
作者
啟功
分類號
C2.2.1 007
出版社
商務印書館
出版年
1991
啟功全集 第二集
作者
《啟功全集》編輯委員會
分類號
C2.3.2 242
出版社
北京師範大學出版社
主題
粵語
啟功講唐代詩文
作者
啟功
分類號
C4.2.3 089
出版社
中華書局
主題
語文與文學
漢語現象論叢
作者
啟功
分類號
C2.9.1 031
出版社
中華書局
主題
語文知識
註釋
《漢語現象論叢》內容簡介:作者熟習古典詩文,長期從事教學工作,幾十年間對漢語的字、詞、句、句群等作過深入的思考。特別是對歷來很少被用作分析材料的詩歌、駢文的語法問題,作者的研究用功至深,對人多有啟迪。比喻和用典是漢語伸縮變化的重要因素,故作者以專文加以探討。八股文的寫作和子弟書的演唱現在雖已不復存在,但研究漢語文學卻不能無視它的歷史影響。至於聲律,無論古代的漢語文學乃至今天的口語都離不開它。研究漢語,不能不瞭解聲律。作者通過細緻的觀察和詳盡的分析,探索了古典詩文的平仄、用韻和對偶,揭示其句式和篇式的特點。
作者堅持從漢語現象實際出發研究漢語,涉足于過去研究者較少涉足的領域,不囿成說,時出新見。探討的物件難偏重於古代漢語,而提 出的問題、涉及的原則與現代漢語的研究也有著十分密切的關係。
前言
一、“葛郎瑪”是否分析漢語語言規律唯一可用的法則
二、沒學過“葛郎瑪”的人是怎麼讀懂文言文的
三、我對漢語規律試行探討的經過
四、“散體”文外的各種文學體裁中,特別是律詩、駢文的句調究竟有多少,其旋律能否探出
五、小結
古代詩歌、駢文的語法問題
一、漢語“語法”是甚麼
二、漢語中的一些現象和特點
三、詩句、駢文句中的修辭問題
四、聲調、聲律是哪里來的
有關文言文中的一些現象、困難和設想
一、探討的動機
二、字、詞的界限
三、虛字和實字
四、詞與詞的關係
五、頓挫和倒裝問題
六、文言語詞怎樣解釋才好
七、文言辭彙的工具書有重新編寫的需要
八、句與句之間的關係
九、小結
文言文中“句”、“詞”的一些現象
一、引言
二、對漢語觀察的角度
三、“句”的“節拍”
四、“句組”中的“節拍”
五、“詞”及“詞的位置”
六、餘論
從單字詞的靈活性談到舊體詩的修辭問題
一、引言
二、單字也是“詞”
三、從幾種文體看單字詞的靈活性
四、一字詞、兩字詞由靈活到拘滯
五、拘滯辭彙的勉強連用
六、舊體詩的絆腳石
七、小結
比喻與用曲
一、談比喻
二、談用典
說八股
一、引言
二、八股文的各種異稱
三、八股文形式的解剖
四、八股文的基本技巧和苛刻的條件
五、運和批
創造性的新詩子弟書
詩文聲律論稿