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出版社 : 百花洲文藝出版社
總數: 3
意象範疇的流變
作者
蔡鍾翔、鄧光東
分類號
C4.7.3 036
出版社
百花洲文藝出版社
出版年
2012
散文藝術世界
作者
熊述隆
分類號
C4.7.4 014
出版社
百花洲文藝出版社
出版年
1993
中國古代小說研究論辯
作者
陳曦鐘、段江麗、白嵐玲
分類號
C4.2.4 039
出版社
百花洲文藝出版社
主題
語文與文學
註釋
《中國古代小說研究論辨》是一套熔資料性、思想性、學術性、可讀性於一爐的大型系列書籍,是二十世紀關於中國哲學、歷史、文學、藝術重要學術思想的匯要,共四卷四十冊。書系的作者們以嚴謹的治學精神,科學的論述方法來論述。全書基本理清中國哲學、歷史、文學、藝術領域百年學術論辨主要問題的脈絡。本書既可作為大學中文系現代漢語課程的文字學教材,也適合函授及社會各層次的自學自修需要。
緒論
第一章 《三國演義》研究論辯
一、羅貫中的籍貫之爭
二、羅貫中的交遊問題
(一)羅貫中與施耐庵
(二)羅績中與趙寶峰、高明
(三)羅貫中與農民趙義
三、成書年代之爭
四、版本之爭
五、主題之爭
六、人民性問題
七、曹操形象評價之爭
第二章 《水滸傳》研究論辯
一、成書年代與作者之爭
(一)成書年代
(二)作者是誰
(三)施耐庵其人
(四)圍繞“施耐庵即施彥端”展開的討論
二、版本及成書過程之爭
(一)古本《水滸傳》
(二)簡本與繁本
(三)李卓吾評語的真偽
三、思想主題之爭
(一)關於“農民起義說”
(二)關於“忠奸鬥爭說”
(三)關於“為市民寫心說”
(四)關於“反映遊民意識說”
四、會聖歎及其評點《水滸傳》的功過
(一)金聖歎是封建反動文人嗎?
(二)金聖歎評改《水滸》的功過
五、人物評價與藝術成就
(一)對宋江等人物的評價
(二)《水滸傳》的藝術結構
第三章 《西遊記》研究論辯
一、作者之爭
二、祖本之爭
三、主題之爭
四、孫悟空原型之爭
第四章 《金瓶梅》研究論辯
一、成書年代與版本之爭
(一)成書年代
(二)初刻本
(三)版本
二、作者之爭
(一)大名士,還是小人物
(二)北方人,還是南方人
(三)集體創作,還是個人創作
(四)王世貞
(五)李開先
(六)賈三近
(七)屠隆
三、關於思想內容
(一)主題思想和社會意義
(二)政治諷喻
(三)現實主義,還是自然主義
四、藝術性及其他
(一)人物
(二)情節和結構
(三)與《紅樓夢》的關係
第五章 《醒世姻緣傳》研究論辯
一、作者之爭
(一)關於作者的六種說法
(二)關於蒲松齡說
(三)關於丁耀亢說
(四)小結
二、成書年代之爭
(一)成書年代概說
(二)關於康熙中後期說
(三)關於崇禎說
(四)關於順治說
(五)小結
三、版本之爭
(一)書目著錄
(二)排印本對版本的介紹
(三)版本比較及刊刻年代
第六章 《聊齋志異》研究論辯
一、蒲松齡是哪族人?
二、蒲松齡有“第二夫人”嗎?
三、蒲松齡是《醒世姻緣》的作者嗎?
四、《聊齋志異》成書、編次與內容的論爭
(一)成書過程與原稿編次
(二)《聊齋志異》有沒有民族思想
第七章 《儒林外史》研究論辯
一、作者是否“赴試”之爭
二、作者是否“反清”之爭
三、版本之爭
四、《儒林外史》結構之討論
五、《儒林外史》主題思想之探究
六、《儒林外史》創作方法之論爭
第八章 《紅樓夢》研究論辯
一、關於作者
(一)著作權問題
(二)生卒年問題
(三)祖籍問題
二、關於版本及相關問題
(一)版本介紹
(二)關於版本源流
(三)關於甲戌本《凡例》
(四)關於脂硯齋和畸笏叟
(五)關於後四十回
三、關於內容和主題(上)
(一)索隱種種
(二)自敍傳與自傳性小說
四、關於內容和主題(下)
第九章才子佳人小說研究論辯
一、才子佳人小說的藝術得失
二、才子佳人小說的思想意義
三、關於天花藏主人
第十章 譴責小說研究論辯
一、對譴責小說的總體評價
二、關於作者思想的不同評價
三、對小說主題的不同理解
四、對譴責小說藝術成就的不同理解
第十一章 話本小說研究論辯
一、關於說話“四家”
(一)王國維
(二)魯迅
(三)胡適
(四)陳汝衡
(五)王古魯二、關於“話本”與“擬話本”
三、《京本通俗小說》真偽之爭
結語
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