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出版社 : 吉林出版集團有限責任公司
總數: 2
日本异色電影大師
作者
克里斯.德斯賈汀
分類號
C3.3.2 023
出版社
吉林出版集團有限責任公司
主題
語言與文化、媒體
註釋
提起日本電影,我們往往想到的是黑澤明、小津安二郎、溝口健二等等大師,論及的是《七武士》、《東京物語》等等影片。然而,日本影史上還有另外的一道風景,一道另翼而奇麗的風景——這就是所謂異色電影。異色電影導演通常指的是1950年代以來活躍在日本B級片舞臺上的一批另類導演。他們的影片類型涉及武士、黑幫、恐怖、粉紅等方面,在風格或內容上,他們打破電影的習見常規,採取反傳統的激進藝術觀。這些影人包括深作欣二、鈴木清順以至石井輝男、三池崇史等等奇特的名字;他們的存在是日本電影呈現百花齊放狀況的重要原因本書旨在讓我們重新認識日本的異色電影大師,重新認識B級片在影史上的地位。書中涉及的十二位導演和兩位演員,都稱得上活躍于日本影壇的先鋒級人物;作者的介紹和訪談,揭示了這些天才人物深刻的藝術觀和傳奇的電影人生,為我們打開了解日本非主流電影的一扇大門。 目錄 導言 第一章 深作欣二 第二章 工藤榮一 第三章 千葉真一 第四章 梶芽衣子 第五章 佐藤純彌 第六章 岡本喜八 第七章 池廣一夫 第八章 筱田正浩 第九章 長谷部安春 第十章 鈴木清順 第十一章 石井輝男 第十二章 若松孝二 第十三章 三池崇史 第十四章 黑澤清
日本電影:藝術與工業
作者
約瑟夫.安德森、唐納德.里奇
分類號
C3.3.2 042
出版社
吉林出版集團有限責任公司
主題
語言與文化、媒體
註釋
《日本電影:藝術與工業》本書是第一部用英語來介紹日本電影的專著,作者對日本電影的興趣,遠在海外對日本電影加以重視前,就已經持續了很長一段時間。在寫作本書前,作者花了近十年的時間來搜集相關資料。作者的材料來源,不僅包括與日本電影有關的文獻和書面材料,以及作者和那些與日本電影有關或是關注日本電影的人們之間的談話,作者還觀看和審察了超過500部、內容涉及日本電影工業歷史的每一個時期的影片,包括著名的黑澤明、木下惠介、小津安二郎、溝口健二等電影大師的作品。 目錄 作者前言 增訂本補充序言 第一章 緩慢的淡入:1896—1917 第二章 創建鏡頭:1917—1923 第三章 劃出:1923—1927 第四章 服裝和道具:1927—1931 第五章 有聲電影,外景:1931—1939 第六章 有聲片,內景:193l—1939 第七章 拍攝劇本:1939—1945 第八章 背景投射:1939—1945 第九章 新的篇章:1945—1949 第十章 適應與環境:1949—1954 第十一章 軟焦點:1954—1959 第十二章 長鏡頭:1954—1959年的內容 第十三章 內容 第十四章 技法 第十五章 導演 第十六章 演員 第十七章 劇院與觀眾 第二與第三種關於日本電影的思考 值得讚揚的辯士 整體中的閃光 日本電影與兩種影響 電影是否亡於電視 最終的論文 參考目錄 本書所選擇的參考資料:日本語部分 關於日本電影歷史類 電影導演寫的自傳、論文與評論 電影導演的傳記與研究 日本電影的評論作品 劇本選集 提及的作品 期刊 索引 譯後記