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作者 : Andy Bennett
總數: 1
流行音樂的文化
作者
Andy Bennett
分類號
C3.2.3 004
出版社
書林出版
主題
語言與文化、媒體
註釋
「X世代」是指誰?這個字眼是怎麼出現的? 搖頭丸、流行音樂及舞廳文化曾引發什麼樣的恐慌? 二次大戰以來,青年文化與流行音樂之間的關係如何演變? 透過全球觀點,我們又可以從這些現象當中得到什麼樣的啟示? 由Andy Bennett編著、孫憶南譯的《流行音樂的文化》從搖滾與迷幻流行等樂種開始,一路談到叛客(龐克)與重金屬,以及rap、rave與techno等各類曲風的起源,並透過活潑生動的文字,勾勒出戰後流行音樂的文化、社會與歷史概況。作者Andy Bennett不僅從社會學、媒體研究與文化研究的角度切入,更突破傳統英美觀點,大量引述德國、荷蘭、瑞典、以色列、澳洲、紐西蘭、墨西哥、日本、俄羅斯、匈牙利等地的實例及相關研究,讓我們一覽全球青年文化與流行音樂之間的文化關係。 目錄 中文版序─尋覓流行音樂的「文化聲音」4 英文版序 6 導言 13 1. 戰後時期的年與搖滾樂 21 戰後年輕族群市場的發展 23 技滾樂的文化衝擊 26 搖滾樂尋找偶像 29 做為「全球」音樂的搖滾樂 32 戰後青年文化與CCCS 35 結語 41 延伸閱讀 41 2. 六○年代搖滾、政治與反文化 43 反文化 45 音樂、迷幻藥與反文化 49 反越戰活動 54 民權運動 56 反文化意識型態與非西方年輕族群 59 結語 63 延伸閱讀 64 3. 重金屬 67 重金屬的起源 68 重金屬與性別 74 極端金屬、青年與後工業社會 79 重金屬、撒旦崇拜與青少年自殺 81 結語 86 延伸閱讀 86 4. 叛客(龐克)與龐克搖滾 89 叛客(龐克)的起源 90 英國無政府 93 叛客(龐克)風格 95 全球脈絡下的叛客(龐克) 102 結語 108 延伸閱讀 109 5. 雷鬼與拉斯達文化 111 雷鬼的起源 112 雷鬼樂與拉斯達教 114 雷鬼樂在英國 118 英國白人青年與雷鬼樂 122 雷鬼樂與澳洲原住民青年 126 結語 127 延伸閱讀 128 6. 饒舌與嘻哈文化 131 饒舌與嘻哈的起源 132 嘻哈與非洲民族的離散 136 做為全球資源的嘻哈 138 嘻哈在西歐 139 日本與大洋洲的嘻哈 146 結語 148 延伸閱讀 149 7. 邦加拉與現代南亞舞曲 151 邦加拉的起源與發展 152 邦加拉節拍與南亞裔青年 154 後邦加拉的南亞舞曲 156 新的南亞裔青年身份認同 160 結語 166 延伸閱讀 167 8. 當代舞曲與舞廳文化 169 當代舞曲的起源 170 舞曲、科技以及DJ的角色 172 新的衛道恐慌 175 「舞廳文化」與「新部族」 177 舞曲與新社會運動 185 舞曲與性別 187 結語 190 延伸閱讀 190 9. 青年與音樂創作 193 青年、音樂創作與搖滾樂 194 組成樂團 196 音樂創作與身份認同 199 女性與音樂創作 203 音樂創作與教育 208 結語 211 延伸閱讀 212 10.誰的世代?青年、音樂與懷舊 213 誰的世代? 214 青年的「黃金時代」 218 X世代 219 結語 225 延伸閱讀 226 名詞解釋 231 引用資料 245