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作者 : 鄒建
總數: 3
中國新詩大辭典
作者
黃邦君,鄒建軍
分類號
R1.2.3 033
出版社
時代文藝出版社
出版年
1988
中國新生代電影多向比較研究
作者
鄒建
分類號
C3.3.2 029
出版社
上海文化出版社
主題
語言與文化、媒體
註釋
《中國新生代電影多向化比較研究》由華東師範大學傳播學院各專業骨幹教師通力合作而成,是他們在相關專業課程教學基礎上的最新學術結晶,內容涉及傳播學理論及廣告傳播、影視傳播、民俗傳播等廣泛領域,深具學術的前瞻性與理論的新銳性,並且可讀性強,是傳播學專業學生必備的參閱書籍,也是傳播業各界人士進一步提升自身理論品位的極佳之作。 目錄 緒言 第一章 不同的電影運動、流派之間的比較意義 第一節 世界電影史上的流派之爭 第二節 電影流派與各國文化歷史的淵源 第三節 電影流派對於電影創作尤其是語言革新的推動 第二章 中國電影新生代的誕生和發軌跡 第一節 “新生代”:命名的隨意性 第二節 新生代主要導演、作品及發展脈絡梳理 第三節 新生代初期登場的文化背景文化 第三章 中國電影新生代的轉軌與嬗變 第一節 新生代電影的人文精神 第二節 文化轉軌與嬗變及其內核力 第四章 中國電影新生代與第五代:自身的變異和兩者間的差異 第一節 文本之一:第五代前期的《紅高梁》 第二節 文本之二:第五代的文化歷史思考 第三節 新生代對第五代的反叛與內在傳承 第五章 中國電影新生代的文化皈依內涵 第一節 新生代進程中的文化環境變異 第二節 新時期文化消費時尚對中國新生代電影創作的影響 第六章 差異之最:中國電影新生代的後現代表徵 第一節 新生代的文本特徵分析 第二節 文本例證:新生代標誌性作品《頭髮亂了》 第七章 法國電影新浪潮的理論基礎和創作 第一節 法國電影新浪潮發端時期的理論現狀 第二節 法國電影新浪潮的理論新主張--作者論 第三節 法國電影新浪潮的理論實踐 第四節 法國電影新浪潮對世界電影的影響意義 第八章 法國電影新浪潮與中國電影新生代的創作視點 第一節 對社會現實中個體的關注--邊緣化的傾向 第二節 廣西比較:《精疲力盡》與《月臺》 第九章 法國電影新浪潮及後續發展對中國電影新生代的直接影響 第一節 中國電影新生代對法國電影新浪潮的認同與反認同 第二節 由法國電影新浪潮在文化變異條件下的後續發展觀照中國電影新生代的生存走向 第三節 新浪潮之後一例:《新橋戀人》 第十章 法國電影新浪潮與中國電影新生代在電影語言上的探索與回歸 第一節 中國電影新生代的內向化敍事與法國電影新浪潮的敍事側重 第二節 以《五點到七點的克萊奧》看法國電影新浪潮的電影語言 第三節 寫實美學的膜拜與生命狀態的浪漫性還原 參考文獻 後記
新聞期刊採編和管理
作者
鄒建中
分類號
C1.9.2 007
出版社
社會科學文獻出版社
主題
語文學習
註釋
本書詳細闡述了期刊編輯及管理工作的過程,內容包括期刑的定位、策劃、採訪、寫作、文字編輯、美術編輯及期 刊管理。全書文字通俗、流暢且不乏幽默;有不少生動的例子,也有大量的具體的可直接用於實際操作的“經驗之談”, 適合從事編輯工作的人士以及修讀新聞學的人士閱讀。 前言 第一章 定位 一 定位 (一)讀者定位:我們的產品賣給誰 (二)內容定位:我們給讀者看什麼 (三)風格定位:我們要張揚的是什麼風格 (四)發行定位:我們的讀者在什麼區域 (五)廣告定位:我們要的是哪類廣告 二 方針、宗旨 (一)方針:怎樣做 (二)宗旨:為什麼 三 口號 第二章 策劃 一 什麼是新聞策劃 (一)什麼是新聞 (二)什麼是新聞策劃 二 策劃的重要性 (一)每一期雜誌的內容,都要精心籌畫 (二)每一期雜誌的內容,都要突出重點 (三)如何寫好一篇報導,都要周密考慮 三 策劃和實施策劃的基本條件 (一)要有一支綜合素質較好的團隊 (二)要有合作精神 (三)輔之以良好的管理 四 成功的策劃案例 (一)發現典型 (二)統一思想 (三)安排採訪 (四)分頭寫作 (五)精心編輯和排版 第三章 採訪 一 什麼是新聞採訪 (一)“新聞工作者” (二)“為新聞報導” (三)“調查研究” (四)“還原事實本質” 二 記者採訪須具備的素質 (一)冷靜——鷹的眼睛 (二)敏銳——狼的耳朵 (三)迅捷——豹的速度 (四)頑強——熊的力量 三 靜態採訪和動態採訪 (一)靜態採訪 (二)動態採訪 四 採訪的注意事項 (一)配備工具 (二)講究禮貌 (三)打扮得體 第四章 寫作 一 什麼是新聞寫作 (一)新聞寫作,一定要在掌握事實的基礎上進行 (二)新聞寫作,必須符合新聞體例的一般要求 (三)新聞寫作,是將“事實”按“體例”寫成文字稿的活動 二 新聞期刊文章的主要體例及寫作特點 (一)新聞綜述 (二)新聞述評 (三)人物通訊 (四)新聞調查 (五)人物專訪 三 文章的結構技巧 (一)橫向結構 (二)縱向結構 (三)縱橫交錯結構 (四)懸念式結構 (五)魚骨式結構 (六)箭靶式結構 第五章 編輯(文字) 一 編輯所需具備的素質 (一)編輯的政治意識 (二)編輯的學習意識 (三)編輯的組稿意識 (四)編輯的人文意識 (五)編輯的技能意識 (六)編輯的服務意識 二 編輯工作“流水線”的“十大環節” (一)談稿 (二)寫稿 (三)編稿 (四)審稿 (五)排版 (六)校對 (七)清樣 (八)付印 (九)上市 (十)收尾 第六章 編輯(美術編輯) 一 有關圖片的審美 (一)圖片的選擇 (二)圖片的裁剪 (三)圖片擺放的“不小於三分之一原則” 二 雜誌版式的重要性 (一)關於封面 (二)關於內頁 三 版面設計的原則 (一)“齊”的原則 (二)“精”的原則 (三)“簡”的原則 (四)“空”的原則 第七章 期刊管理 一 制度管理 (一)需要制定基本的規章制度 (二)制度管理需要遵循的原則 二 文化管理 (一)文化管理的核心 (二)文化管理的內容 (三)文化管理和制度管理的關係 三 知識管理 (一)什麼是知識管理 (二)知識管理對雜誌社的影響 (三)知識管理的現狀分析 (四)知識管理策略和方法 參考文獻