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作者 : 姚扣根
總數: 1
電視劇寫作概論
作者
姚扣根
分類號
C1.8.4 006
出版社
上海古籍出版社
主題
語文學習
註釋
電視劇已成為人類歷史上從未有過的、數量最多、影響最大的一門敍事藝術,與尋常百姓的生活息息相關。然而,目前我國的電視劇創作存在著許多不足,如劇碼缺少原創,表現手法貧乏,精品不多。鑒於此,急需進一步提高電視劇創作尤其是劇本的品質。本書即是對電視劇這一特定物件進行考察研究的基礎上,就電視劇本的寫作理論和技巧進行探討。全書深入淺出,既有理論、又有實例,針對性、實用性、可操作性強,是一本較為出色的指導電視劇本寫作的論著,不僅可供業餘和專業創作人員閱讀,而且還可用做各大專院校教材。 編者的話 緒論 第一章 電視劇發展簡述 第一節 世界電視劇的發展 第二節 我國電視劇發展分期 第三節 我國電視劇的成就與走向 第二章 電視劇特性 第一節 演劇藝術特性 第二節 影像藝術特性 第三節 電視媒介特性 第三章 畫面與聲音 第一節 畫面的運動元素 第二節 聲音的造型元素 第三節 電視劇寫作格式 第四章 蒙太奇語言 第一節 蒙太奇功能 第二節 長鏡頭與空鏡頭 第五章 題材與主題 第一節 題材的選擇 第二節 主題的確立 第六章 故事與人物 第一節 故事的設計 第二節 人物的設計 第七章 人物的言語 第一節 對白的要求 第二節 獨白與旁白 第八章 戲劇性動作 第一節 戲劇性動作概念 第二節 戲劇衝突 第三節 動作的基本要求 第九章 戲劇性情境 第一節 戲劇性情境的內容劃分 第二節 戲劇性情境的具體作用 第三節 戲劇性情境常見的類型 第十章 戲劇性突轉 第一節 戲劇性突轉 第二節 頂點與發現 第三節 突轉的作用 第十一章 電視劇懸念 第一節 懸念與驚奇 第二節 懸念的設置和延宕 第三節 電視劇的懸念 第十二章 電視劇結構 第一節 結構的組織 第二節 結構的類型 第三節 結構的技巧 第十三章 電視劇類型 第一節 電視劇主要類型 第二節 紀實劇 第三節 情景喜劇 第四節 電視電影 第十四章 電視劇運作 第一節 電視劇商業運作模式 第二節 劇作運作模式 第三節 電視劇製作模式 主要參考書目 後記